VEDIGUNDU MURUGESAN MOVIE ONLINE

Somewhere along the way, Nachiyar discovers that Murugesan suffers from epileptic fits as well, in addition to the reason behind his peculiar name. What is Milind Soman doing in Kathmandu? So you have Pasupathi speaking in rich Madurai Tamil for a while, then switching to ordinary language, uttering platitudes about life, love and everything under the sun, after which he suddenly changes direction to satire. What follows is a screenplay that veers from utter seriousness to fits of comedy, laced with sarcastic comments that actually poke intelligent fun at today’s movie. Anil-Madhuri deserved a better film! On the end of the spectrum is Alert Arumugam Vadivel a trickster who’s up to every trick in town and finds newer ways to con the money out of people. He’s a water-seller wearing a lungi, has a coin in his ear on account of smelly discharges , is a smart-aleck who shoots off his mouth about everything from love, money-lenders and regularly ends up in court. Their friendship, as it develops slowly, is picturized rather beautifully in a series of montages through the song Neenda Dhooram , composed by Dhina and the only one that makes any impression.

Despite its many failings and loop-holes, Vedigundu Murugesan does work at times chiefly because the climax and screenplay try to rise above the ordinary and yes, of Vadivel, and sometimes, Pasupathi. Reader Priyank Varshney sends us pix from What is Milind Soman doing in Kathmandu? On the end of the spectrum is Alert Arumugam Vadivel a trickster who’s up to every trick in town and finds newer ways to con the money out of people. Jyothirmayi’s performance is puzzling at first; she’s a police constable who cries like a baby at the drop of a hat; abuses her parents like crazy and suddenly turns into a good Samaritan, until you realise that the director’s actually trying to satirise the traditional Tamil heroine role except that it doesn’t really strike you until the very end, which is why it falls flat. Anil-Madhuri deserved a better film! She’s a joy to watch.

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The characters raise your expectations. On the end of the spectrum is Alert Arumugam Vadivel a trickster who’s up to every trick in town and finds newer ways to con the money out of people.

In the village of Kizhrajakularaman, there’s Vedigundu Murugesan Pasupathia contradiction of sorts. Somewhere along the way, Nachiyar discovers that Murugesan suffers from epileptic fits as well, in addition to the reason behind his peculiar name. Or so they claim. He’s a water-seller wearing a lungi, has a coin in his ear on account of smelly dischargesis a smart-aleck who shoots off his mouth about everything from love, money-lenders and regularly ends up in court. G entle comedy interspersed with a racy screenplay seems to be the trend, these days but Annamalai Films’s Tamil film Vedigundu Murugesandirected by Murthi, has decided to go the whole hog and give you a laugh riot.

An unlikely romance develops which is interrupted rudely by a comic villain Low Sugar Ganesan Veera and his equally ridiculous brother Kodanchan Ranish.

Anil-Madhuri deserved a better film! He also reads serious literary magazines like Kalachuvaduand is the sole care-giver of a mentally-challenged young woman, Ponni Deepamurugsean so ill-treated that her family is prepared to kill her.

Reader Priyank Varshney sends us pix from What is Milind Soman doing in Kathmandu? NewsApp Free Read news as it happens Available on.

Vedigundu Murugesan

Their friendship, as it develops slowly, is picturized rather beautifully in a series vedigunxu montages through the song Neenda Dhooramcomposed by Dhina and the only one that makes any impression. What follows is a screenplay that veers from utter seriousness to fits of comedy, laced with sarcastic comments that actually poke intelligent fun at today’s movie.

Jyothirmayi’s performance is puzzling at first; she’s a police constable who cries like a baby at the murugfsan of a hat; abuses her parents like crazy and suddenly turns into a good Samaritan, until you realise that the director’s actually trying to satirise the traditional Tamil heroine role except that it doesn’t really strike you until the very end, which is why it falls flat.

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You only wish the whole movie had followed that path, instead of making allowances for the ‘Hero’ syndrome. She’s a joy to watch. Despite giving you the impression that it’ll be a combination of laughs, each does it in a separate track, hilarious at times, but still disconnected. So you vedigndu Pasupathi speaking in rich Madurai Tamil for a while, then switching to ordinary language, uttering platitudes about life, love and everything under the sun, after which he suddenly changes direction to satire.

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Living life in the company of his friend Ussh GeorgeVedigundu Murugesan leads life merrily, until he bumps into Nachiyar Jyothirmayia police constable who breaks into tears at every opportunity, and then realises that the protagonist has a heart of gold but naturally.

A fresh breeze of cheer.

Vadivel is his usual, overbearing, cheery self, getting away with almost everything before the final act. The surprise mmurugesan is Deepa. Pasupathi shines during the moments he or the screenplay forgets that he’s supposed to be the hero; at others, you’re surprised to see him hamming to glory and taking himself too seriously.

Surely this seasoned theatre artist can do better than that. Despite its many failings and loop-holes, Vedigundu Murugesan does work at times chiefly because vedigindu climax and screenplay try to rise above the ordinary and yes, of Vadivel, and sometimes, Pasupathi.